DAY 3

UDK:






10AM — 7PM:
Working on several activities: parallel mapping, image perception, school battle and mirror interview.







Break times watching short movies or excerpts from Une femme est un femme by Godard, En rachachant by Straub et Huillet, Manhattan by Woody Allen and Chocolate bunny by Lernert & Sander.




Leisure time is of course allowed!


7PM:
Lecture by Chris Rehberger

TODAY'S BRIEFING
TALK ABOUT EVERYTHING BUT MY WORK
—
A BIT WEIRD.
LET'S START WITH ME.
—
WHO IS CHRIS REHBERGER?
—
WE ARE ALL A RESULT OF WHAT WE EXPERIENCE.
—
THINGS THAT INFLUENCE ME
—
FASSBINDER FILMS
—
69 TRUTHS ABOUT ME IN A VERY SHORT FILM
—
A CERTAIN FEELING, A CERTAIN PICTURE
—
DOES MY OPPOSITE KNOW WHAT I AM TALKING ABOUT?
—
IT'S NOT EVEN ABOUT KNOWING, JUST A FEEL FOR WHAT I AM SHOWING.
—
THE LARGE GLASS
—
THE IMPORTANCE OF NOT KNOWING WHAT I AM TALKING ABOUT.
—
MARCEL DUCHAMP'S LARGE GLASS
—
THE ENERGY THAT CAME FROM IT
—
MY PARENTS MADE ME LOOK AT ART
—
IT WAS A WEIRD THING TO DO

THIS IS THE MAIN REASON WHY WE ARE DOING THIS
—
MAKE PEOPLE LOOK AT OUR WORK
—
THIS IS THE KIND OF ENERGY THAT WE SHOULD PUT IN EVERYTHING THAT WE ARE DOING
—
COMMUNICATION
—
A CHAIR BY ENZO MARI
—
YOU HAVE TO MAKE IT YOURSELF
—
WOW, WHAT A GREAT IDEA!
—
A PRE-IKEA THING.
—
IT'S LIKE AN ARCHETYPE OF A CHAIR, LIKE A TOOLBOX
—
I FEEL COMFORTABLE IN THIS CHAIR
—
TRYING TO DO ARCHETYPES
—
MORE THAN CLASSICS
—
TRYING TO DO SOMETHING THAT REMINDS YOU OF SOMETHING ELSE
—
I DIDN'T KNOW WHAT TO DO, REALLY
—
PEOPLE GET IT QUICKER IF YOU DO IT IN A NAIVE WAY

SKATEBOARDING
—
WHAT I FOUND POWERFUL
—
THE SMELLS, THE CARS PASSING BY
—
WE SHOULD KEEP IN MIND WHAT WE EXPERIENCE
—
ALL THE TIME
—
LIAR LIAR...
—
FIRE EXTINGUISHERS
—
FILLING GAPS
—
THEY LOOK GREAT
—
HOW TYPEFACES ARE USED
—
WE NEVER CAN EXACTLY COMMUNICATE WHAT WE WANT TO COMMUNICATE
—
IT'S FINE TO GET CLOSE TO IT
—
NEVER TRY TO BE EXPLICIT ABOUT IT
—
DON'T TRUST THE FLATNESS OF STRAIGHT COMMUNICATION
—
IT'S BORING
—
I CAN ONLY DO THINGS I BELIEVE IN
—
IF NOT, THERE IS NO CLIENT
—
A VERY LUCKY POSITION
—
THERE WERE OTHER TIMES
—
I NEVER HAD TO FOLD
—
THERE ARE A LOT OF THINGS I DID WRONG
—
IT'S OK
—
ADDING UP NEW EXPERIENCES EVERYDAY
—
THE DIFFERENCE BETWEEN BACK THEN AND NOW
—
ABOUT KEEPING A LINE, INVENTING A SYSTEM
—
AN INDIVIDUAL LINE
—
BEING HONEST
—
AT ALL COSTS

8PM:
Lecture by Quentin Walesch

MY WORK IN A CERTAIN RELATIONSHIP
—

A FORM OF SELF-EDUCATION
—
THE WORD AUTHORITY.
—
THE IMAGE OF SOMETHING VERY STRONG AND SOLID
—
A CERTAIN COLLECTIVE AUTHORITY
—
GENERATES FREEDOM, DEMANDS EMPOWERMENT AND DEBATE.
—
ANERKANNNT?
—
ALBANIA
—
AN ACT RELATED TO COLOURS BUT ALSO THE RELATIONSHIP OF PEOPLE WITH THE CITY OF TIRANA
—
"WHY IS COLOUR BETTER THAN GREY?“
—
SWALLOWED UP EVERYTHING
—
A CITY YOU WANT TO CHOOSE TO LIVE IN
—
THE USE OF COLOUR
VS
THE INDIFFERENCE OF THE STATE
—
IT IS NOT A MATTER OF WHAT COLOUR
—
AN AVANT–GARDE OF DEMOCRATIZATION
—
A SPACE TO WHICH YOU HAVE AN EMOTIONAL RELATIONSHIP
—
START A DEBATE
—
THESE ARE THE THINGS WE ARE FIGHTING FOR.
—
THEY SUDDENLY STARTED CARING
—
THE IMPACTS OF COLOUR
—
EDI RAMA
—
DOODLING
—
ABSENT-MINDEDNESS
VS
A NECESSITY
—
THE SPACE BETWEEN A DRAWING AND A TEXT
—
JOURNEY WITH DIFFERENT CRUISING SPEEDS
—
TIME AND RHYTHM
—
THE REVOLUTION WILL BE COLORIZED
—
CHANGE IS IN THE AIR
—
SEPARATE SO THAT THEY CAN INTERACT
—
A STRUCTURE FOR COLLABORATION
—
SOUND AND IMAGES
TIME AS THEIR COMMON LANGUAGE
—
A FAR FUTURE UNSETTLES THE PRESENT
—
EACH DAY:
COLOUR
TITLES
GENRE
—
DESIGN, ART, ETC? IT NEVER MATTERED THAT MUCH
—
AN ACT OF CHANGE
—